Keep Your Hands Off Eizouken!

Three first-year students form an animation club, combining Asakusa's imagined worlds, Mizusaki's desire to animate, and Kanamori's producer instincts.

Synopsis

The Anime Lad

Midori Asakusa fills sketchbooks with elaborate ideas but insists she cannot make anime alone. Sayaka Kanamori notices both the talent and the obstacle. Their classmate Tsubame Mizusaki, already known as a fashion model, wants to animate too. The three form a club to create the worlds in their heads. Administration has been invited into imagination.

Super Eyepatch Fox

Asakusa draws settings but cannot animate alone. Kanamori spots the missing pieces. Mizusaki wants to become an animator despite already having a public life as a model. Put them in one school club and the objective becomes concrete: turn private sketches into a shared production without losing what made the ideas exciting.

Gigguku

Asakusa sees an empty page and starts building a whole place on it. Then Mizusaki brings her hunger for animation, while Kanamori sees how to get these two dreamers moving in the same direction. I love how quickly the club premise becomes about making something together. Their different obsessions collide before a single finished project even exists!

Father's Basement

School-club anime can coast on the assumption that enthusiasm counts as a personality. Eizouken starts with a better division of labor. Asakusa dreams up worlds, Mizusaki wants to animate, and Kanamori recognizes what the pair could make. Their goals overlap without becoming interchangeable, which gives the familiar club formation actual friction and purpose.