I'm in Love with the Villainess

A corporate worker awakens as game heroine Rae Taylor and uses her knowledge of future events to pursue the villainess Claire François.

Synopsis

The Anime Lad

A corporate worker wakes inside her favorite otome game as its heroine, Rae Taylor. Rather than follow the expected route, Rae focuses on Claire François, the game’s villainess and the woman she already loves. Her knowledge of the game gives her confidence about events ahead. Claire must now deal with romantic attention from someone unusually prepared to keep offering it.

Super Eyepatch Fox

Wake as Rae Taylor, heroine of a favorite otome game. Ignore the expected story direction and pursue Claire François, its aristocratic villainess. Rae knows the game and events ahead, giving her unusual confidence. Her goal is direct: make Claire fall for her while navigating a world whose original roles never accounted for that choice.

Gigguku

Rae wakes inside her favorite romance game and receives exactly one priority. Claire. The game calls her a villainess, but Rae already knows who she wants and refuses to disguise it. Future knowledge gives her a plan. Open affection gives the comedy its charge, because Claire now faces a heroine who treats the supposed obstacle as the whole reason to be there.

Father's Basement

Waking inside a favorite game is familiar fantasy scaffolding. Rae makes the setup specific by choosing Claire, the designated villainess, as her romantic goal. She knows the game’s events and intends to use that advantage. The sharper tension comes from Claire having to respond to affection that ignores the role the story assigned her.

The world turns upside down when a corporate drone wakes up as Rae Taylor, the heroine in her favorite otome game, Revolution. Rae is elated at the opportunity to court Claire François, the game’s villainess and the object of her affection.

What defines it

A sweet yuri villainess isekai. Charming and openly queer.

Recommendation shape

MoodNot enough evidence

PaceNot enough evidence

StoryNot enough evidence

ActionNot enough evidence

Moral framingNot enough evidence

Cast focusNot enough evidence